TripWires is a collaboration between Index on Censorship, Britain’s leading organisation promoting freedom of expression, and Phakama UK, a charity committed to the practice of cultural exchange and the celebration of shared experiences that promotes a non-hierarchical educational philosophy through the medium of the arts that actively encourages trainees to become trainers. This workshop provided that very opportunity with two students of the TripWires programme sharing the skills they have developed during the project with a group of participants at the Free Word Centre.
Whilst Dr Blaug’s book and its focus on day-to-day corruption and power dynamics informed the discussions during the week, the How Power Corrupt project as a whole sought to challenge the censorship imposed by the high price and restrictive culture surrounding academic publishing. This led the Roundhouse Group to invite TripWires to conduct a drama workshop to see if the arts could help us explore the complex issues covered in Dr Blaug’s book and offer another way of approaching the subject matter.
The workshop demanded participants to reflect on their own experiences of power. In groups we created freeze frames, depicting scenes when we had felt powerful or powerless; in pairs we led our partner round the room, giving them a subject matter to discuss and starting and stopping them from speaking at will; group members were asked to adopt what they thought to be the most powerful position in the room; games opened up and shut down space available and asked what the impact of this was on the individual. One exercise used key phrases from Blaug’s book; each member of the workshop was given a phrase and adopted a relevant pose whilst one person tried to discover the rest of the group’s ‘trigger’ which would spark them to say the phrase out loud, resulting at times in a sporadic cacophony. Some of the techniques were subtle whilst others bluntly addressed what it felt like to have your space and speech restricted.
The TripWires workshop sought to explore the emotional and experiential side of power and corruption, setting it apart from the other conference-style events during the week. The immediacy and physicality of the exercises ensured everyone participated, asking the group to reflect on their own personal experiences of power and censorship. Key themes, phrases and images were brought to the fore by the games and exercises stimulating deeper discussion, asking the group to reflect on the ways in which power acts on you, encroaching on your ability to think, act and move. Lots of the anecdotes shared related back to education, interactions with the law and memories from childhood. The workshop provided an accessible, personal and physical way of exploring the subject matter; underpinning the more abstract, theoretical discussions that went on during the rest of the week with the reminder that the personal is always political.



